Images in Spite of All : part I
Four Pieces of Film Snatched from Hell
In the Very Eye of History
Similar, Dissimilar, Survivor
In Spite of the All Image : part II
Fact-Image or Fetish-Image
Archive-Image or Appearance-Image
Montage-Image or Lie-Image
Similar Image or Semblance-Image

Of one and a half million surviving photographs related to Nazi concentration camps, only four depict the actual process of mass killing perpetrated in the gas chambers. In "Images in Spite of All", Georges Didi-Huberman posits that these rare photos of Auschwitz, taken clandestinely by one of the Jewish prisoners forced to help carry out the atrocities there, were made as a potent act of resistance. Available today because they were smuggled out of the camp and into the hands of Polish resistance fighters, the photographs show a group of naked women being herded into the gas chambers and the cremation of corpses that have just been pulled out. Didi-Huberman’s relentless consideration of these harrowing scenes demonstrates how Holocaust testimony can shift from texts and imaginations to irrefutable images that attempt to speak the unspeakable. Including a powerful response to those who have criticized his interest in these images as voyeuristic, Didi-Huberman’s eloquent reflections constitute an invaluable contribution to debates over the representability of the Holocaust and the status of archival photographs in an image-saturated world. Georges Didi-Huberman is professor at l’Ecole des hautes etudes en sciences sociales in Paris. He is the author of more than thirty books on the history and theory of images, including "Fra Angelico : Dissemblance and Figuration", also published by the University of Chicago Press

Lillis, Shane\transl.\
Didi-Huberman, G.